Upside Down (2012) [Blu-ray]
Drama | Fantasy | Romance | Sci-Fi
Tagline: Two worlds. One future.
Two worlds. One future. In an alternate universe where twinned worlds have opposite gravities, a young man (Jim Sturgess) battles interplanetary prejudice and the laws of physics in his quest to reunite with the long-lost girl of his dreams (Kirsten
Dunst). This visually stunning romantic adventure poses the question: what if love was stronger than gravity?
Storyline: Adam is a seemingly ordinary guy in a very extraordinary universe. He lives humbly trying to make ends meet, but his romantic spirit holds on to the memory of a girl he loved once upon a time from another world, an
inverted affluent world with its own gravity, directly above but beyond reach... a girl named Eden. Their childhood flirtation becomes an impossible love. But when he catches a glimpse of grownup Eden on television, nothing will get in the way of getting
her back... Not even the law or science! Written by Onyx Films
Reviewer's Note: Reviewed by Martin Liebman on June 18, 2013 -- What if love was stronger than gravity? --- Try to imagine this scenario: A man walks into the gym, his pre workout of choice rushing through his system, the
unmissable stench of fresh and stale sweat fouling the air, the grunts of power lifters, the clinking of weight plates, the whir of treadmills, and the idle chatter of social exercisers filling the air. It's earbuds in, iPod powered, iTunes on, and the
music blaring. And now, focus. Pure focus. The lifter stretches and heads for the dumbbells. He pulls off a seventy-pound pair from the bottom rack (hey, this isn't Ronnie Coleman here) and lumbers to a free bench for a little chest work. He sits down,
places the weights on his thighs, leans backwards, and pushes those weights into the air. One. He exhales, brings his arms back down, focuses for a moment on the movement for two and then finally sees with clarity the area above him where he spies
something quite out of the ordinary. Is that a mirror? They're usually only along the walls, not lining the ceiling. He sees a man on a bench, the weights by his side in the same position as his, and his pause begets a heavy flinch as those blocks come
hurtling down towards him with a grunt. He nearly drops his own weights and runs, a futile effort, he knows even in a flash, against the weight of the dumbbells and the forces of gravity.
Then, suddenly, the miraculous happens. They move back upwards again, still in the lifter's hands and back down toward his sides. After the moment of panic escapes him, he remembers he lives in the world of Upside Down. And no ordinary world it is.
Only yards -- sometimes even feet -- above him is an opposite world where the laws of gravity are the same as his, but flipped 180-degrees. He calms and follows the upside down exerciser's motion, rep for rep, breath for breath, but probably not thought
for thought. Who knows where that guy is -- probably thinking "light weight!" -- but Mr. Focus's mind is no longer on three-four-five-lost count but rather on the topsy-turvy world that's unlike anywhere else in the known universe, where two societies
co-exist, one above the other though to each, they're both on the "right" side of nature. It's a world that follows the rules but at the same time breaks them, a world where everything is different but one constant remains, and that's that the power of
love in indeed a very curious thing, a thought, a feeling, a knowing that can break rules that have already been broken and have yet to be tested, even the "rules" of opposing gravity.
Those rules are threefold. One, all matter is pulled by the gravity from its native world. Two, weight may be offset with matter from the other world. Three, matter in contact with inverse matter will eventually be set ablaze. It's on two opposing worlds
-- the Up world and the Down world -- and under the constraints of these laws, where a story of love, exploration, discovery, and danger unfolds. The upper world has grown prosperous. A corporation called TransWorld links the two worlds, selling
electricity at an astronomically high rate to the dependent and decaying lower world. It's from that bottom world where a man name Adam (Jim Sturgess) comes. One day, collecting a special pink pollen, he meets a girl from the upper world, Eden (Kirsten
Dunst). They fall in love and love as best they can considering their circumstances. One day, however, Adam is wounded after being mistaken for a criminal. His wound causes Eden to fall back to her world. Ten years pass. Adam is a scientist working on a
new facelift cream. On television, he sees Eden and learns that she's now working for TransWorld. He sets out to reconnect with her -- he finds employment with TransWorld -- but learns that her circumstances have changed since their last meeting. Now,
Adam must fight for the one he loves and by doing so may forever alter the relationship between the Up and Down worlds.
Upside Down is one of the more beautiful films of recent years, not in a traditional sort of way but in its creation of a world on edge -- literally on the edge of another -- that's thoughtfully conceived and visually resplendent, resulting in a
picture that's stylistically robust from the top down, through its contrasting elements and the draw of opposites attracting, in this case quite literally. It's a film that's alien and familiar both, different but comfortable, and deep down nothing more
than a simple story of love won, lost, and sought again. Here, it's set against a backdrop that's like a broken mirror in which a struggling society exists under the thumb of a superior society, not wholly unlike the world envisioned by H.G. Wells in
The Time Machine or any tale of "superior" and "inferior" races coexisting within close proximity, particularly one that capitalizes on the differences in strength, intelligence, and technology over the other. In Upside Down it's a financial
separation of the worlds that's morphed into something more, a sense of perfection, invulnerability, do-no-wrong attitude. The visuals do a fantastic job of contrasting the two; the digital effects are largely seamless, showing above a thriving, bright
society and below a bleak, crumbling world. The film uses blinding background lights to further the contrast but to also highlight the goodness that comes from the love that's formed where love shouldn't and, by the laws of nature on these worlds, really
cannot exist, at least in the physical aspects of love. It's easily one of the year's most visually arresting pictures, but is there more at the core or is Upside Down ultimately a hollow pursuit?
Sadly, the core of Upside Down is just that: hollow. The contrast is really quite striking. On one hand is an amazing world built on a clever idea that's marvelously realized on film. The story, however, is a fairly shallow one, a standard plot
that's far too flimsy and unspectacular for the rest of the movie. Opposing worlds are met with a basic story of love, and one propped up and dramatized by one of the oldest crutches in the book. It's a story of little consequence, particularly within the
greater prism of the spectacular visuals. Fortunately, Actors Dunst and Sturgess build highly likable characters out of the stock emotions they're given, and that chemistry creates an almost enchanted romance that nearly covers the tracks of an otherwise
disappointing story. Almost. The film flops around elsewhere, too, away from the romance. The idea that those who trick gravity and travel to the other world catch fire over time seems wholly contrived, there only to force some drama and excitement
where none really needs to exist. The film devolves on several occasions, then, to would-be humorous scenes of Adam attempting to keep others from noticing that his feet are smoking or fully aflame, and there's also the obligatory chase scenes that add
some dull action to a movie that really doesn't need it and shouldn't use it. A film of this magnitude, of such visual brilliance, of such high conception, certainly could have found a core story of more novelty and import, but at least the actors carry
the burden well and leave Upside Down feeling right side up, flaws and all.
There's an even better movie within Upside Down, but the one that Writer/Director Juan Solanas has fashioned isn't bad at all. It overcomes a rather trite love story thanks to not only its incredible visuals and novel idea but also a pair of
energetic, sincere performance from Kirsten Dunst and Jim Sturgess. The picture is a little overly dramatic and self-important at its bookends, and even if the story proves rather ordinary in an extraordinary world, Upside Down still makes for a
success considering both its high novelty and heartfelt sincerity. Millennium Entertainment's Blu-ray 2D/3D release of Upside Down features top-end video and audio. Several extras are included. Highly recommended.
[CSW] -1.4- Combining a dystopian reality with an unbelievable sci-fi bent and a star crossed lover story as old as Shakespeare himself made for a story line that was just to too much for me to be able to suspend my disbelief. Maybe the story would have
been better if it made any sense. In the first few minutes of the film I felt that the first two of the three laws of double gravity contradicted each other. I tried, and failed to think of their worlds as dream-like and fairy-tale-esque but it conflicted
with the corporate dystopia so badly that I was even unable to accomplish that. There was never any actual explanation behind a lot of the 'sci' in the 'sci-fi' and they seemed to chalk it all up to "that's how it is". It was a decent watch for the
visuals and interesting ideas but overall not a good movie and even the ending seemed to just be tacked on.
[V4.5-A4.5] MPEG-4 AVC - D-Box 6/10.
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